Eduardo Rivadavia (aka Ed Rivadavia) was born in São Paulo, Brazil, and by his late teens had already toured the world (and elsewhere), learning four languages on three continents. Having also accepted the holy gospel of rock & roll as his lord and savior, Eduardo became infatuated with the New Wave of British Heavy Metal and all things heavy, crude, and obnoxious while living in Milan, Italy, during the mid-1980s. At this time, he also made his journalistic debut as sole writer, editor, publisher, and, some would claim, reader of his high school's heavy metal fanzine, earning the scorn of jocks and nerds alike, but uniting the small hardcore music-loving contingent into a frenzied mob that spent countless hours exchanging tapes, talking shop, and getting beat up at concerts. Upon returning home to Brazil, Eduardo resumed a semi-normal existence, sporadically contributing music articles to local papers and magazines while earning his business degree. Finally, after years of obsessive musical fandom and at peace with his distinct lack of musical talent, Eduardo decided the time had come to infiltrate the music industry by the fire escape. He quit his boring corporate job, relocated to America, earned his master's degree while suffering the iniquities of interning for free (anything for rock & roll!), and eventually began working for various record labels, accumulating mountains of records and (seemingly) useless rock trivia in the process. This eventually led him back to writing, and he has regularly contributed articles to multiple websites since 1999, working with many different rock genres but specializing, as always, in his personal hobby: hard rock and heavy metal. To quote from the insightful 'This Is Spinal Tap': "People should be jealous of me...I'm jealous of me...." Eduardo currently resides in Austin, TX, with his wife, two daughters, and far more records, CDs and MP3s than he'll ever have time to listen to.
Revisiting Jeff Beck’s Only Top 10 Album, ‘Blow by Blow’
Jeff Beck's jazz-fusion masterpiece was released on March 29, 1975.
Revisiting One of Rock’s Greatest Movies, ‘This Is Spinal Tap’
March 2, 1984, marks the release of one of history’s most acclaimed documentaries … nay, “rockumentaries,” This Is Spinal Tap,.
When the Allman Brothers Band Returned With ‘Enlightened Rogues’
Three years earlier, the Allman Brothers Band had conclusively ground to a halt. Or so it seemed.
Revisiting Steely Dan’s Classic Third LP, ‘Pretzel Logic’
The band's third album was released on Feb. 20, 1974.
That Time Cream Said ‘Goodbye’
The supergroup's last album was released on Feb. 15, 1969.
The Story of Ozzy Osbourne’s Retirement, and His Un-Retirement
As Ozzy Osbourne piled up career achievements and more shockingly controversial episodes throughout the '80s, the last thing anyone thought he'd do was quit.
37 Years Ago: Judas Priest Release Their Fifth Album … With Two Different Names
In 1978, Judas Priest released their fifth album as 'Hell Bent for Leather' or 'Killing Machine,' depending on where you lived.
Revisiting AC/DC’s Breakthrough Album, ‘Highway to Hell’
Despite its rather ominous name, Highway to Hell was the album that set AC/DC's career on a fast track to hard rock heaven when it was released on Aug. 3, 1979.
The Story of Yes’ Debut Album
Behind the unremarkable cover art of Yes' debut lay the seeds for one of the most storied and envelope-pushing careers in progressive rock history.
When Dio Released a Metal Masterpiece, ‘The Last in Line’
For Ronnie James Dio, the title of his band's second album could very well have referenced his lengthy wait for much-deserved solo stardom.
Revisiting Queen’s First Concert Album, ‘Live Killers’
This remains the only concert set to focus on Queen’s remarkable stadium runs in the '70s.
How Stevie Ray Vaughan Got Clean and Released ‘In Step’
Stevie Ray Vaughan's final studio album released in his lifetime was released on June 6, 1989.