Disney has had a lot of success turning their animated classics into live-action updates in recent years. ‘Maleficent’ grossed more than $750 million worldwide after ‘Alice in the Wonderland’ made over $1 billion. Another, fleshier ‘Cinderella’ is on its way this spring, and after that you can also expect a human-y ‘Beauty and the Beast.’ That film is expected to go into production later this year, and will be directed by ‘Twilight’’s Bill Condon from a script by Stephen Chbosky.
So Sony and director Paul Feig have found their new Ghostbusters: Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. This whole idea of an all-female ‘Ghostbusters’ reboot came together after the passing of original series star and co-writer Harold Ramis, when director Ivan Reitman relinquished the franchise’s director’s chair and everyone involved finally gave up on trying to convince stubborn (and probably very wise) Bill Murray to make a second sequel to the original film.
When Disney bought George Lucas’ company, they got more than the buildings, computers, droids, and the ‘Star Wars’ intellectual property. They also got George Lucas’ unused ideas for future ‘Star Wars’ movies. Though Lucas had insisted for years that ‘Revenge of the Sith’ was his final ‘Star Wars’ film, that didn’t stop him from brainstorming a few other potential stories that could be set after the events of ‘Return of the Jedi’ (and, I assume, mostly involve Jar-Jar Binks wandering the universe and getting into “hilarious” misadventures).
If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
Dig this, blockheads: The ‘Peanuts’ gang, originally created by cartoonist Charles Schulz, have appeared in so many incarnations in their 65-year history. They’ve been a comic strip, a series of much-beloved television specials, a Broadway musical, greeting card staples, and even the successful pitchmen for life insurance. Now, for the first time, they’re becoming a 3D feature film, with this year’s ‘The Peanuts Movie.’
As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.
Back in October, it was reported that ‘Lucy’ and ‘Avengers 2’ star Scarlett Johansson had been offered $10 million to anchor the new, American (and live-action) version of the classic Japanese anime ‘Ghost in the Shell.’ It took a while for Johansson to decide (“Hm, do I really want $10 million? This is a tough one!”), but Variety now says she’s made up her mind: Johansson will star in the new ‘Ghost’ for director Rupert Sanders.
This is a weird instance of art imitating life imitating art. Universal Studios Orlando’s famous old ‘Earthquake’ ride was recently updated and replaced with a similar attraction called ‘Disaster!’ where guests get to experience movie special effects, and become extras in the “ultimate” disaster movie called ‘Mutha Nature,’ which stars none other than Dwayne ‘The Rock’ Johnson. Next summer, Johnson will be seen in ‘San Andreas,’ which is basically ‘Mutha Nature’ brought to life.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
Trailers are a huge part of the fabric of movies. They play before every film shown in theaters, and on every movie website around the world. They’re commercials, obviously, but they’re also more than that; miniature works of art that utilize the core elements of cinema—image, sound, music, action, editing—at their most pure and refined. And today at ScreenCrush we’re celebrating movie trailers by saluting the best sneak previews of 2014.
James Cameron doesn’t lack for confidence. And why should he? This is the guy who made the biggest movie in the history of the universe, and then he topped himself and made the biggest movie in the history of the universe a second time. If there is anything in the world of movies James Cameron can’t do, he hasn’t found it yet.
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