Classic rock fans of all ages have grown up with John Mellencamp's "Jack & Diane," Tommy and Gina from Bon Jovi's "Livin' on a Prayer" and Billy Joe and Bobby Sue from the Steve Miller Band's "Take the Money and Run."
With their fifth studio album, 1979's Evolution, Journey finally cracked the Top 20 of Billboard's album chart — and they soared even higher when they returned the next year with the follow-up, Departure.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
"The '80s are coming and we're going to be the soundtrack. We're here to blow the bugles and jump on the horns and whistle it all in and usher it down the road and round the stretch and across the finish line."
Richard Ramirez, a transient based in Los Angeles, spent a terrifying portion of 1984 and 1985 slipping into windows and through unlocked doors in California, committing a string of unspeakable crimes under cover of darkness.
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