Continuing with Ladies well this week. One of two solo stars to spring from the ashes of the '70s all-girl hard rock band the Runaways, Lita Ford has long been a more frustrating, contradictory proposition for critics than former colleague Joan Jett. Ford is subtly feminist in her musical approach, displaying guitar heroics on the level of any male metal hero; the mere fact of her existence in the otherwise testosterone-driven heavy metal genre has made her a hero to some and Ford is inarguably capable of rocking out aggressively and assertively.

 

Ford was born on September 19, 1958, in London, emigrating to the U.S. as a young child. She began playing the guitar at age 11; just five years later, she joined the Kim Fowley-produced Runaways, an all-female project designed to mix the aggression of simple, punky hard rock with teenage bad-girl sex appeal. When the band dissolved, Ford took voice lessons and embarked on a solo career, supporting herself through a variety of jobs (gas station attendant, perfume salesperson, fitness instructor, hairdresser, etc.). She released her debut album, Out for Blood, in 1983; it was followed the next year by Dancin' on the Edge.

 

Nothing was heard from Ford for the next four years; the follow-up to Dancin' on the Edge, titled The Bride Wore Black, was abandoned and never released, as Ford switched from Mercury to RCA. By the time Ford returned, the lighter pop-metal she had long favored had broken through to mainstream audiences, which set the stage for her most successful album, 1988's Lita.

"Kiss Me Deadly" hit #12 back in 1988...  how about today?

 

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