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Weekend Box Office Report: Welcome to Week 2 of Pennywise’s Reign
Weekend Box Office Report: Welcome to Week 2 of Pennywise’s Reign
It’s now been two weekends since Pennywise the Dancing Clown was unleashed upon unsuspecting audiences, and Hollywood may never be the same. Seriously. The kind of box office numbers we’re seeing right now will inspire, uh, major changes in how Hollywood tries to jump on specific trends. And while two new movies made a sort of solid showing for themselves over the weekend, the fact is this: it’s Pennywise’s world. We’re just living in it. Here’s the box office projections as of Sunday afternoon:
Weekend Box Office Report: ‘It’ Breaks a Whole Slew of Box Office Records
Weekend Box Office Report: ‘It’ Breaks a Whole Slew of Box Office Records
As we head deeper into September, two things have become pretty clear about 2017 box office numbers: one, Hollywood desperately needs to bounce back a little bit from the doldrums of August, and two, whoever decided to hedge their studio’s bets with a September release date for a movie about a killer clown is looking like a [profanity] genius right about now. We’ll get to all of that in a moment, but first, here are the box office numbers as of Sunday afternoon:
‘IT’ Writer Returning for ‘Part Two,’ Likely Hitting Theaters in 2019
‘IT’ Writer Returning for ‘Part Two,’ Likely Hitting Theaters in 2019
Before the latest adaptation of Stephen King’s IT even hit theaters, early box office predictions suggested anywhere from a $60 to $70 million opening. By contrast, this year’s other big King adaptation, The Dark Tower, has grossed $47.9 million domestic in the month since its release. While we wait for the initial box office numbers to roll in, New Line is already developing a sequel to IT, but it probably won’t hit theaters until 2019.
‘It’ Director Andy Muschietti Reveals His Inspiration for Pennywise
‘It’ Director Andy Muschietti Reveals His Inspiration for Pennywise
One of the most challenging parts of any Stephen King adaptation is walking that fine line between childhood fears and adult terror. It is a perfect example: how do you take images meant to be frightening to 12 and 13-year-olds and adjust them for an adult audience? This is the formula that King has used to make him one of the most successful authors of all time, but stepping outside of the characters’ heads  —  and behind a movie camera  —  only ramps up the challenge of balancing tone just right. That’s why it’s been so heartening to hear It director Andy Muschietti say all the right things in pre-release interviews. For better or worse, it sounds like he really gets it.

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